BEGIN:VCALENDAR VERSION:2.0 PRODID:-//jEvents 2.0 for Joomla//EN CALSCALE:GREGORIAN METHOD:PUBLISH BEGIN:VTIMEZONE TZID:Europe/Rome BEGIN:STANDARD DTSTART:20221210T143000 RDATE:20230326T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Rome CET END:STANDARD BEGIN:STANDARD DTSTART:20231029T020000 RDATE:20240331T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Rome CET END:STANDARD BEGIN:STANDARD DTSTART:20241027T020000 RDATE:20250330T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Rome CET END:STANDARD BEGIN:STANDARD DTSTART:20251026T020000 RDATE:20260329T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Rome CET END:STANDARD BEGIN:STANDARD DTSTART:20261025T020000 RDATE:20270328T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Rome CET END:STANDARD BEGIN:STANDARD DTSTART:20271031T020000 RDATE:20280326T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Rome CET END:STANDARD BEGIN:STANDARD DTSTART:20281029T020000 RDATE:20290325T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Rome CET END:STANDARD BEGIN:STANDARD DTSTART:20291028T020000 RDATE:20300331T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Rome CET END:STANDARD BEGIN:STANDARD DTSTART:20301027T020000 RDATE:20310330T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Rome CET END:STANDARD BEGIN:STANDARD DTSTART:20311026T020000 RDATE:20320328T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Rome CET END:STANDARD BEGIN:DAYLIGHT DTSTART:20230326T030000 RDATE:20231029T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Rome CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20240331T030000 RDATE:20241027T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Rome CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20250330T030000 RDATE:20251026T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Rome CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20260329T030000 RDATE:20261025T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Rome CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20270328T030000 RDATE:20271031T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Rome CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20280326T030000 RDATE:20281029T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Rome CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20290325T030000 RDATE:20291028T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Rome CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20300331T030000 RDATE:20301027T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Rome CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20310330T030000 RDATE:20311026T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Rome CEST END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:6f032b52cf866c85883112693a903e05 CATEGORIES:Convegni CREATED:20231205T101411 SUMMARY:Photographs from Outer Space. A Female Archaeology of Image-Data LOCATION:Università degli Studi di Milano (Sala Napoleonica\, via Sant'Antonio 12) DESCRIPTION:Photographs from Outer Space. A Female Archaeology of Image-DataDecember 11 -13, 2023\n Università degli Studi di Milano\nSala Napoleonica (via Sant'An tonio, 12)\n(find here the extended program (https://apps.unimi.it/web/even ti/resources/external/uploaded/10402_3700.pdf))\nKeynote speakers: Aurora S issel Hoel, Peter Galison\nConference abstract. Look at a photograph of you r choice. What is the medium you are inspecting? What is proper to it? A lo ngstanding, honourable tradition has viewed the direct connection between t he shot and the instant, the experience in the present and its recording fo r any future time as its distinctive trait. Recent research has questioned this link. The advent of advanced digital techniques presents us with “phot ographs of the future”, crafted by algorithms, and photogrammetric images t hat can be explored from various perspectives. Even predating the digital r evolution, and irrespective of it, an extensive scientific domain contribut es to unveiling an alternative perspective on the photographic. From the mo ment cameras pointed skyward, the awareness of the insurmountable gulf betw een the mechanical eye and the celestial expanse challenged the notion that photography inherently embodies the simultaneous presence of the observer and the observed. Astrophotography perennially navigates the delicate bound ary between recording and visualization, as well as between the human and t he posthuman. It challenges the operator to decipher visual traces, which e xtend far beyond conventional notions of representing celestial bodies and yet provide indispensable clues to unravelling their astrophysical identiti es. The “cultivation”, measurement, and digitisation of these photo-signals from elsewhere historically became a female task. Women astronomers, often referred to as “computers”, were a flesh-and-blood version of the calculat ing machines that were to become established in the following decades — the y constitute an archaeology incarnate of the digital. Rediscovering their r ole, re-locating their figures somewhere between that of the art curator an d the engineer, also means to explore a female archaeology of the postphoto graphic image. This conference, characterized by its interdisciplinary appr oach, unites media archaeologists, image theorists, historians and philosop hers of science, women’s studies scholars, and artists delving into the nex us of astrophotography and visual culture.\nCurated by Barbara Grespi and L uca Guzzardi (Università degli Studi di Milano, Department of Philosophy “P iero Martinetti”)\nScientific committee: Christa Blümlinger, Gabriele D’Aut ilia, Rossella Catanese, Marilisa D’Amico, Bernard Geoghegan, Giulia Gianni ni, Jussi Parikka, Andrea Pinotti, Antonio Somaini, Matteo Vagelli\nOrganis ing committee: Rosa Cinelli, Rossana Galimi, Melania Mariconda\n X-ALT-DESC;FMTTYPE=text/html:

Photographs from Outer Space. A Female Archaeology of Image-Data

December 11-13, 2023
Università degli Studi di Milano
Sala Napo leonica (via Sant'Antonio, 12)

(find here the extended pro gram)

Keynote speakers: Aurora Sissel Hoel, Peter Galiso n

Conference abstract. Look at a photograph of your choice. What is the medium you are inspecting? What is proper to it? A longstanding , honourable tradition has viewed the direct connection between the shot an d the instant, the experience in the present and its recording for any futu re time as its distinctive trait. Recent research has questioned this link. The advent of advanced digital techniques presents us with “photographs of the future”, crafted by algorithms, and photogrammetric images that can be explored from various perspectives. Even predating the digital revolution, and irrespective of it, an extensive scientific domain contributes to unve iling an alternative perspective on the photographic. From the moment camer as pointed skyward, the awareness of the insurmountable gulf between the me chanical eye and the celestial expanse challenged the notion that photograp hy inherently embodies the simultaneous presence of the observer and the ob served. Astrophotography perennially navigates the delicate boundary betwee n recording and visualization, as well as between the human and the posthum an. It challenges the operator to decipher visual traces, which extend far beyond conventional notions of representing celestial bodies and yet provid e indispensable clues to unravelling their astrophysical identities. The “c ultivation”, measurement, and digitisation of these photo-signals from else where historically became a female task. Women astronomers, often referred to as “computers”, were a flesh-and-blood version of the calculating machin es that were to become established in the following decades — they constitu te an archaeology incarnate of the digital. Rediscovering their role, re-lo cating their figures somewhere between that of the art curator and the engi neer, also means to explore a female archaeology of the postphotographic im age. This conference, characterized by its interdisciplinary approach, unit es media archaeologists, image theorists, historians and philosophers of sc ience, women’s studies scholars, and artists delving into the nexus of astr ophotography and visual culture.

Curated by Barbara Grespi a nd Luca Guzzardi (Università degli Studi di Milano, Department of Philosoph y “Piero Martinetti”)

Scientific committee: Christa Blümling er, Gabriele D’Autilia, Rossella Catanese, Marilisa D’Amico, Bernard Geoghe gan, Giulia Giannini, Jussi Parikka, Andrea Pinotti, Antonio Somaini, Matte o Vagelli

Organising committee: Rosa Cinelli, Rossana Galimi , Melania Mariconda

CONTACT:Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo. DTSTAMP:20260912T232701 DTSTART;TZID=Europe/Rome:20231211T143000 DTEND;TZID=Europe/Rome:20231213T190000 SEQUENCE:0 TRANSP:OPAQUE END:VEVENT END:VCALENDAR